The 13th volume of the Acta Universitatis Sapientiae: Film and Media Studies has appeared
06/02/2017 01:07 PM

• Andrei Nae
  Immersion at the Intersection of Technology, Subjectivity and Culture: An Analysis of Silent Hill 2
  Acta Universitatis Sapientiae, Film and Media Studies, 13 (2016) 7−19     Full text in PDF
• Mircea Valeriu Deaca
  Hypertheatre or Media Entanglement in the Theatre of Jay Scheib
  Acta Universitatis Sapientiae, Film and Media Studies, 13 (2016) 21−42     Full text in PDF
• Aténé Mendelyté
  The Intermedial and the Transmedial across Samuel Beckett's Artistic Practices
  Acta Universitatis Sapientiae, Film and Media Studies, 13 (2016) 43−53     Full text in PDF
• Ciro Inácio Marcondes
  Paul LeniÂ’s Waxworks: Writing Images from Silence, through Media and Philosophy
  Acta Universitatis Sapientiae, Film and Media Studies, 13 (2016) 55−72     Full text in PDF
• Pablo Gonçalo
  Ken Jacobs and the Perverted Archival Image
  Acta Universitatis Sapientiae, Film and Media Studies, 13 (2016) 73−88     Full text in PDF
• Judit Pieldner
  History, Cultural Memory and Intermediality in Radu Jude's Aferim!
  Acta Universitatis Sapientiae, Film and Media Studies, 13 (2016) 89−105     Full text in PDF
• Teréz Vincze
  The Phenomenology of Trauma. Sound and Haptic Sensuality in Son of Saul
  Acta Universitatis Sapientiae, Film and Media Studies, 13 (2016) 107−126     Full text in PDF
• Zsolt Gyenge
  Subjects and Objects of the Embodied Gaze: Abbas Kiarostami and the Real of the Individual Perspective
  Acta Universitatis Sapientiae, Film and Media Studies, 13 (2016) 127−141     Full text in PDF