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Megjelent az angol nyelvű filmtudományi folyóiratunk 18. száma
2020.11.02. 23:58
Volt diákunk, Lakatos Mihály írásával és egy külön fejezettel a magyar film társadalomtörténetéről.
PICTURING WORLDS, ENGAGING AUDIENCES
- Ying Zhu
Travel Down Memory Lane: Nostalgia and Nostophobia in Youth (2017)
Acta Universitatis Sapientiae, Film and Media Studies, 18 (2020) 9−26 Full text in PDF - György Kalmár
Angry Old Men in Post-Crisis European Cinema
Acta Universitatis Sapientiae, Film and Media Studies, 18 (2020) 27−56 Full text in PDF - Hajnal Király
Arrested and Arresting: Intermedial Images and the Self-Reflexive Spectator of Contemporary Cinema
Acta Universitatis Sapientiae, Film and Media Studies, 18 (2020) 57−71 Full text in PDF - Zoltán Szabó
The Ethical Anxiety of Remediation and Speculative Aesthetics in Landscape Film
Acta Universitatis Sapientiae, Film and Media Studies, 18 (2020) 73−87 Full text in PDF - Anastasiia Drozdova and Vladimir Petrov
Modern Classic in the Web Environment: Narrative Variations of V. Nabokov's Lolita in Fanfition
Acta Universitatis Sapientiae, Film and Media Studies, 18 (2020) 89−107 Full text in PDF - Mihály Lakatos
Sights and Sounds of Big Data: Ryoji Ikeda's Immersive Installations
Acta Universitatis Sapientiae, Film and Media Studies, 18 (2020) 109−129 Full text in PDF
SPECIAL DOSSIER: THE SOCIAL HISTORY OF HUNGARIAN CINEMA - Balázs Varga
Conflct Types in Hungarian Film History
Acta Universitatis Sapientiae, Film and Media Studies, 18 (2020) 133−171 Full text in PDF - Zsolt Pápai
Distressed Glamour. Genres and Political-Social Context in Hungarian Cinema of the 1930s and 1940s
Acta Universitatis Sapientiae, Film and Media Studies, 18 (2020) 173−193 Full text in PDF - Györgyi Vajdovich
The Representation of Women and Female Mobility in Hungarian Films between 1931 and 1944
Acta Universitatis Sapientiae, Film and Media Studies, 18 (2020) 195−221 Full text in PDF - Beja Margitházi
Up the Slope. Women's Mobility Stories in Post-Transition Hungarian Cinema
Acta Universitatis Sapientiae, Film and Media Studies, 18 (2020) 223−230 Full text in PDF
