The first part of “The Cinema of Senses” conference proceedings has been published
03/11/2013 09:29 AM

in number 7 of the Acta Sapientiae. Film and Media Studies.

Acta Universitatis Sapientiae: Film and Media Studies, Vol. 7, 2013:
THE CINEMA OF SENSATIONS I.

• Laura U. Marks
  Thinking Like a Carpet: Embodied Perception and Individuation in Algorithmic Media
  Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 7−20 Full text in PDF
• Yvonne Spielmann
  Seeing to Believe − Sensing to Know. From Film Form to Perceptual Environment
  Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 21−34 Full text in PDF
• Jens Schröter
  Visuality and Narration in Monsters, Inc.
  Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 35−47 Full text in PDF
• Daniel Pitarch Fernández
  Geography of the Body: Jean Epstein's Poetics and Conceptualization of the Body in his Unpublished Writings
  Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 49−63 Full text in PDF
• Francesca Minnie Hardy
  Avoid Contact with the Eyes and Skin. May Cause Irritation: Agnès Varda's La Pointe courte (1954)
  Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 65−82 Full text in PDF
• Romain Chareyron
  Haptic Vision and the Experience of Difference in Agnès Varda's Les glaneurs et la glaneuse (2000)
  Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 83−96 Full text in PDF
• Ivo Blom
  Of Artists and Models. Italian Silent Cinema between Narrative Convention and Artistic Practice
  Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 97−110 Full text in PDF
• Marlène Monteiro
  The Body as Interstitial Space between Media in Leçons de Ténèbres by Vincent Dieutre and Histoire d'un Secret by Mariana Otero
  Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 111−126 Full text in PDF
• Élène Tremblay
  Sensations of Dysphoria in the Encounter of Failing Bodies: The Cases of Karaoke by Donigan Cumming, Last Days by Gus Van Sant, and Drunk by Gillian Wearing
  Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 127−139 Full text in PDF
• Ramayana Lira
  Affective Realism and the Brand New Brazilian Cinema
  Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 141−151 Full text in PDF
• Fernando Canet
  The New Realistic Trend in Comtemporary World Cinema: Ramin Bahrani's Chop Shop as a Case Study
  Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 153−167 Full text in PDF
• Steven Willemsen, Miklós Kiss
  Unsettling Melodies: a Cognitive Approach to Incongruent Film Music
  Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 169−183 Full text in PDF