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Megjelent a tavalyi "Érzékek mozija" című konferencia anyagából készült válogatás első része
2013.11.03. 09:29
tanszékünk filmtudományi folyóiratának 7.számában.
THE CINEMA OF SENSATIONS I.
- Laura U. Marks
Thinking Like a Carpet: Embodied Perception and Individuation in Algorithmic Media
Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 7−20 Full text in PDF - Yvonne Spielmann
Seeing to Believe − Sensing to Know. From Film Form to Perceptual Environment
Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 21−34 Full text in PDF - Jens Schröter
Visuality and Narration in Monsters, Inc.
Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 35−47 Full text in PDF - Daniel Pitarch Fernández
Geography of the Body: Jean Epstein's Poetics and Conceptualization of the Body in his Unpublished Writings
Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 49−63 Full text in PDF - Francesca Minnie Hardy
Avoid Contact with the Eyes and Skin. May Cause Irritation: Agnès Varda's La Pointe courte (1954)
Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 65−82 Full text in PDF - Romain Chareyron
Haptic Vision and the Experience of Difference in Agnès Varda's Les glaneurs et la glaneuse (2000)
Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 83−96 Full text in PDF - Ivo Blom
Of Artists and Models. Italian Silent Cinema between Narrative Convention and Artistic Practice
Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 97−110 Full text in PDF - Marlène Monteiro
The Body as Interstitial Space between Media in Leçons de Ténèbres by Vincent Dieutre and Histoire d'un Secret by Mariana Otero
Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 111−126 Full text in PDF - Élène Tremblay
Sensations of Dysphoria in the Encounter of Failing Bodies: The Cases of Karaoke by Donigan Cumming, Last Days by Gus Van Sant, and Drunk by Gillian Wearing
Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 127−139 Full text in PDF - Ramayana Lira
Affective Realism and the Brand New Brazilian Cinema
Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 141−151 Full text in PDF - Fernando Canet
The New Realistic Trend in Comtemporary World Cinema: Ramin Bahrani's Chop Shop as a Case Study
Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 153−167 Full text in PDF - Steven Willemsen, Miklós Kiss
Unsettling Melodies: a Cognitive Approach to Incongruent Film Music
Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 169−183 Full text in PDF