Universitatea Sapientia, Secţia Cinematografie, fotografie, media
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Prima parte al materialului conferinţei “Cinema-ul senzaţiilor” a fost publicat
03.11.2013 09:29

în numărul 7 al revistei ştiinţifice Acta Sapientiae. Film and Media Studies.

THE CINEMA OF SENSATIONS I.

  • Laura U. Marks
    Thinking Like a Carpet: Embodied Perception and Individuation in Algorithmic Media
    Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 7−20 Full text in PDF
  • Yvonne Spielmann
    Seeing to Believe − Sensing to Know. From Film Form to Perceptual Environment
    Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 21−34 Full text in PDF
  • Jens Schröter
    Visuality and Narration in Monsters, Inc.
    Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 35−47 Full text in PDF
  • Daniel Pitarch Fernández
    Geography of the Body: Jean Epstein's Poetics and Conceptualization of the Body in his Unpublished Writings
    Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 49−63 Full text in PDF
  • Francesca Minnie Hardy
    Avoid Contact with the Eyes and Skin. May Cause Irritation: Agnès Varda's La Pointe courte (1954)
    Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 65−82 Full text in PDF
  • Romain Chareyron
    Haptic Vision and the Experience of Difference in Agnès Varda's Les glaneurs et la glaneuse (2000)
    Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 83−96 Full text in PDF
  • Ivo Blom
    Of Artists and Models. Italian Silent Cinema between Narrative Convention and Artistic Practice
    Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 97−110 Full text in PDF
  • Marlène Monteiro
    The Body as Interstitial Space between Media in Leçons de Ténèbres by Vincent Dieutre and Histoire d'un Secret by Mariana Otero
    Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 111−126 Full text in PDF
  • Élène Tremblay
    Sensations of Dysphoria in the Encounter of Failing Bodies: The Cases of Karaoke by Donigan Cumming, Last Days by Gus Van Sant, and Drunk by Gillian Wearing
    Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 127−139 Full text in PDF
  • Ramayana Lira
    Affective Realism and the Brand New Brazilian Cinema
    Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 141−151 Full text in PDF
  • Fernando Canet
    The New Realistic Trend in Comtemporary World Cinema: Ramin Bahrani's Chop Shop as a Case Study
    Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 153−167 Full text in PDF
  • Steven Willemsen, Miklós Kiss
    Unsettling Melodies: a Cognitive Approach to Incongruent Film Music
    Acta Universitatis Sapientiae, Film and Media Studies, 7 (2013) 169−183 Full text in PDF

 


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