| Hírek / | előző | következő |
Megjelent angol nyelvű filmtudományi folyóiratunk 19.száma
2021.03.26. 19:37
egy válogatással a 2019-es "Picturesque"- témájú konferenciánk nyomán írt tanulmányokból.
- Steven Jacobs
Screening Landscapes: Film between the Picturesque and the Painterly
Acta Universitatis Sapientiae, Film and Media Studies, 19 (2021) 1−16 Full text in PDF - Susan Felleman
"Show the Clichés": the Appearance of Happiness in Agnès Varda's Le Bonheur
Acta Universitatis Sapientiae, Film and Media Studies, 19 (2021) 17−34 Full text in PDF - György Fogarasi
Screens of the Picturesque: Aesthetics, Technology, Economy
Acta Universitatis Sapientiae, Film and Media Studies, 19 (2021) 35−48 Full text in PDF - Ivo Blom
Picturesque Pictures: Italian Early Non-fition Films within Modern Aesthetic Visions
Acta Universitatis Sapientiae, Film and Media Studies, 19 (2021) 49−65 Full text in PDF - Delia Enyedi
Voiceless Screams: Pictorialism as Narrative Strategy in Horror Silent Cinema
Acta Universitatis Sapientiae, Film and Media Studies, 19 (2021) 66−76 Full text in PDF - Ioannis Paraskevopoulos
Images in Suspension: Tableaux Vivants, Gesturality and Simulacra in Raul Ruiz's fim The Hypothesis of the Stolen Painting
Acta Universitatis Sapientiae, Film and Media Studies, 19 (2021) 77−98 Full text in PDF - Cristian Eduard Drăgan
Decoding Tableaux Vivants: the Metareferential Potential of Painterly References in Cinema
Acta Universitatis Sapientiae, Film and Media Studies, 19 (2021) 99−116 Full text in PDF - Dániel Nagy
Velázquez, Wagner and the Red Skull. Intermediality and the Genesis of Meaning in a Particular Scene of Captain America: The First Avenger
Acta Universitatis Sapientiae, Film and Media Studies, 19 (2021) 117−131 Full text in PDF - Maria Männig
The Tableau Vivant and Social Media Culture
Acta Universitatis Sapientiae, Film and Media Studies, 19 (2021) 132−155 Full text in PDF - Balca Arda
Ephemeral Social Media Visuals and Their Picturesque Design: Interaction and User Experience in Instagram Stories
Acta Universitatis Sapientiae, Film and Media Studies, 19 (2021) 156−175 Full text in PDF
