Megjelent az Acta Universitatis Sapientiae: Film and Media Studies 14. száma
2017.12.27. 19:11

• László Tarnay
  Paradoxes of Visibility 
  Acta Universitatis Sapientiae, Film and Media Studies, 14 (2017) 7−30       Full text in PDF
• Lucian Tion
  The Postcolonial Self and the Other in Béla Tarr's Werckmeister Harmonies
  Acta Universitatis Sapientiae, Film and Media Studies, 14 (2017) 31−49     Full text in PDF
• Anna Bátori
  The Flux of Transmigrant Identities in Thomas Arslan's Brothers and Sisters
  Acta Universitatis Sapientiae, Film and Media Studies, 14 (2017) 51−69     Full text in PDF
• Berber Hagedoorn
  Collective Cultural Memory as a TV Guide: "Living" History and Nostalgia on the Digital Television Platform 
  Acta Universitatis Sapientiae, Film and Media Studies, 14 (2017) 71−94     Full text in PDF
• Mónika Dánél
  Multiple Revolutions. Remediating and Re-enacting the Romanian Events of 1989 
  Acta Universitatis Sapientiae, Film and Media Studies, 14 (2017) 95−130   Full text in PDF
• Christina Stojanova
  The Great War: Cinema, Propaganda, and the Emancipation of Film Language 
  Acta Universitatis Sapientiae, Film and Media Studies, 14 (2017) 131−156 Full text in PDF
• Domingo Martinez Rosario
  Film and Media as a Site for Memory in Contemporary Art 
  Acta Universitatis Sapientiae, Film and Media Studies, 14 (2017) 157−173 Full text in PDF
• Natalie Gravenor
  Post-Modern, Post-National, Post-Gender? Suggestions for a Consideration of Gender Identities in the Visual Artworks and Moving Images of Neue Slowenische Kunst 
  Acta Universitatis Sapientiae, Film and Media Studies, 14 (2017) 175−196 Full text in PDF