Megjelent az angol nyelvű tudományos folyóiratunk 24. száma
2023.12.01. 22:42

Essays written following the international workshop, Uncanny Intermediality, organized between 20-21 October 2022 within the framework of the Exploratory Research Project, Affective Intermediality, Cinema between Media, Sensation and Reality, supported by a grant of the Ministry of Research, Innovation and Digitization, CNCS - UEFISCDI, Romania, project number PN-III-P4-PCE-2021-1297, PNCDI III.

The full text of the articles is open access and can be accessed from the website of the journal.

Table of contents:
Uncanny (Inter)Mediality and Photo Futures
Arild Fetveit

Uncanny Colours of the Past. Phenomenological Notes on Remediation and Colourization of Black-and-White Footage
Kamilla Simor

The Uncanniness of Intermediality. Joanna Hogg's Eerily Self-Reflexive Cinema
Ágnes Pethő

Filial Care and Familial Postmemory. On the Uncanny and Affective Intermediality of Analogue Media Use in Recent European Documentaries
Melinda Blos-Jáni

The Crisis of Care and Uncanny Intersensuality in Sally Potter's The Roads Not Taken
Judit Pieldner

Rural Landscapes and Affective Encounters in Radu Muntean's Film, Întregalde
Katalin Sándor

Ritual as Intermedial Interjection in Ritwik Ghatak's The Cloud-Capped Star
Sanskriti Chattopadhyay, Deb Kamal Ganguly

Jane Austen and the Uncanny: The Colonial Past in Patricia Rozema's Adaptation, Mansfield Park
Polina Rybina

Media Representation and Affective Intermediality in Der Tote im Bunker and Vielleicht Esther
Giulia Bigongiari

Medium Specific Uncanny in Contemporary Video Games
Tamás Csönge

Pandora's Myth and Cultural Trauma in Alex Garland's Ex Machina
Boglárka Farkas

Framing Anxiety. Intermedial Techniques of the Uncanny
Michaela Wünsch